Professional Conference Attire

Draft:

Earlier Drafts:
I wore this jacket/belt combination over a dress in the spring.

Composition:
faux turquoise beaded necklace (Kohl's)
teal button-down (NY&Co)
navy blazer (Gap Outlet)
brown belt (Kohl's)
"mocha" trousers (Express)
teal mary janes (Seychelles)

Usage:
First, I want to thank you guys again for your thoughts on my student conference attire.  I'm looking forward to telling you how they went and what I wore next week, after I've had a chance to meet with all my students and upload some pictures.

For today, though-- on to a very different type of conference!  I recently gave a paper at an interdisciplinary conference at my own university.  I was very intimidated to share a panel with a fellow grad student who is on his second yearlong dissertation fellowship award, a professor who is currently working on her second book on a National Endowment of the Humanities fellowship, and another professor who is a premier scholar in the field.  It was also kind of nerve-wracking to give the talk in front of so many of my own professors. I knew they'd be stopping me in the halls to talk to me about it afterward (and they have).  I was completely prepared, though, and that always helps to calm my nerves.  My co-panelists' papers were really interesting, and I got some very helpful questions and comments about my own paper, so it was a definite success.

I kind of surprised myself by putting together this pants outfit for the presentation, given my recent reservations about pants.  Last spring, when I presented at an international conference, I wore a dress and swing jacket combination.  I came across the photo linked above in the "earlier drafts" section, which reminded me that I actually wore a different version of today's outfit to the first day of that conference.  This time, I thought I'd stick with something that had worked before while making it a little more "me."  I added the teal button down underneath, the turquoise beaded necklace, and what are quickly becoming my signature teal mary janes.  The belt was perhaps unnecessary, but despite how frequently I deploy this waist-cinching maneuver, this was the first time my husband has ever said "I really can't believe your waist is that small!" so I guess it made an impact.

I'm curious what you think about this outfit, but I'm also interested in how frequently you aim to give papers at conferences.  I realize that an article publication carries a lot more weight on the C.V. than conference talks, but while I'm still in coursework, I have very little time to work on revising the papers that my professors indicate have publication potential.  Plus, I'm wary about publishing something this early in my career and regretting its point of view later on.  I have plenty of time to revise seminar papers into conference papers, though, so my general approach has been to accumulate conference presentation lines on my C.V. until I'm ready to move on to getting an article published.  I'm really curious about how frequently you all aim to present at conferences, what types of conferences you're most interested in attending, and whether that has changed as you progress into your career.  I've discussed these things with my own professors, obviously, but we have such a diverse and interesting group of readers that I'm curious to hear your thoughts on the issue, too!

Prompts:

• How often do you give conference presentations?  Every year?  Every semester?  Every time you come across a CFP that matches the work you've been doing?  Only when another University pays you an honorarium to come and talk about your current book project?
• So far I've presented at a graduate conference, a very large, prestigious international conference, and this interdisciplinary conference at my own university.  What types of conferences appeal the most to you?  As a graduate student, did you work on getting accepted by the "prestigious" conferences or were you focused on getting any exposure for your work that you could find?  Or maybe both?
• Have these things changed over the course of your career?  Does my model of focusing on conference presentations now and shifting the focus to article publications in a year or so make sense to you?
• Do you have a go-to outfit for conference presentations?  Do you find that you tend to prefer skirts or pants?

Pants Practice

Draft:

Earlier Drafts:
I wore these pants here, and if you click the "cardigans" tab, you'll likely turn up oodles of results with this cardigan or an identical one.

Composition:
black cami (Kohl's)
red print tank (Isaac Mizrahi for Target: does anyone else miss his line there as much as I do?)
black and red beaded necklace (NY&Co)
black cardigan (NY&Co)
micro plaid trousers (Express)
black wedges (Lauren by Ralph Lauren)
"Metro Chic" polish (Sephora by OPI)

Usage:
So I've been trying to work on putting together outfits I like with pants since I wrote about my "pants prejudice" in last week's post.  I've been surfing some other blogs and looking at pants ensembles, and I've decided there is a standard pants outfit that "works."  The basic ingredients are:
1) a great pair of pants (I love all of mine, so that's not the problem)
2) a cute top (I have fewer of these)
3) a cardigan (I obviously have plenty of these)
4) at least one other item of interest (statement necklace, great earrings, belt, cute shoes, etc.)

I really liked this outfit.  I don't own a lot of prints, so this is as close to print mixing as I can come, even though I really like that styling choice.  (I actually had no idea that I don't buy prints until I started blogging.)  I like how the red top brings out the reddish/pinkish stripe in the micro plaid (I think you can make this out if you click to enlarge).  This necklace looks great up against the red top and black cardigan, and it also falls nicely with the neckline of the top.  And after what feels like a long time of deferring to neutral nail polishes, the cold weather prompted me to return to the fall hues that I fell in love with last year.

It all felt very pulled together and cohesive for me, and I ended up wishing I'd waited two days to wear it.  You can probably tell from my "I voted!" sticker that I wore this outfit on Tuesday, but it seems in retrospect like this would have been a perfect outfit to wear for the formal observation my teaching mentor is conducting in my classroom today.

Prompts:

• Can you share a list of "ingredients" for a different type of pants outfit that "works" for you?
• Can you think of anything I could add to this list of ingredients to mix it up?

Diverse Demographics & An Interview

Draft:

Earlier Drafts:
These T-strap heels accompanied me to Saturday brunch with my parents.
This leather belt cinched together a hybrid dressy/casual look.

Composition:
turquoise button-down shirt (Old Navy)
fuchsia cardigan (Loft Petites, borrowed from sister)
brown pants (Ann Taylor Petites)
leather belt (Ann Taylor)
brown metallic T-strap heels (Anne Klein)
turquoise cuff bracelet (Leighelena in Austin, Texas, purchased at half-price)
brown leather laptop bag (gifted from mom)

Usage:
Happy Friday, all!  Will you excuse my photos today?  The Mean Girls scowl on my face is courtesy of the direct sunlight, which chased me around my home's perimeter for a half-hour.  I finally found relief in a sliver of shadow on the back patio, and, welp, here are the results.  Can't win 'em all.  If only my schedule allowed for late afternoon, instead of mid-morning, outdoor photos.

Anyway, I wore this ensemble yesterday for an interview at a local private school.  It wasn't my first time meeting the administrative faculty (more on that in a moment), so I opted for a comfortable alternative to my standard blazer, this berry-hued short-sleeved cardigan.  Aren't the shirred sleeves an interesting feature?  At first I feared the girlish detailing might read too juvenile for a professional setting, but I mitigated the cutesy-ness with the collared shirt, belt, and tailored trousers.  Looking "too young" is my personal paranoia -- is it obvious yet?  What's your take on this outfit's professional register?

Also, I kind of dig this color trio.

On the having-met-the-faculty-before topic: this semester I've been serving as Assistant Ballet Teacher in the school's extracurricular program. The students and their parents are delightful, which is why I'm hoping to substitute teach during the regular school day as often as possible while I continue job hunting.  Care to share your tried-and-true strategies for successful substitute instruction?  I'd welcome them!

My latest turn in the world of arts education has me wondering about dressing to suit student demographics.  See, in addition to instructing at the aforementioned private school, I also teach ballet at a not-for-profit studio in one of the city's lower-income neighborhoods.  In fact, I teach these diverse classes back-to-back on the same day.  It makes for quite the contrast, moving from an environment of privilege to one of profound need.  Although it's true that I spend class time in a leotard and tights, I arrive in layers of street clothing.  And my students have noticed.  At the private school, they tally the number of Ralph Lauren Polo logos on my apparel; at the non-profit, they ask why I deprive my arms of bangle bracelets.  Both sets of students are acutely aware and curious of sartorial choices -- theirs and my own -- so how should I address the disparities which such choices often reveal?  What adjustments in clothing, if any, would best demonstrate social sensitivity?

Prompts:

•  Have you taught students of lower-income populations?  Of higher-income populations?  How did you dress for the classroom?  How did you discuss sartorial issues with your students?
• Any substitute teaching tips?  I'm all ears!
• What's your take on my latest interview look?

Pants Prejudice

Draft:

Earlier Drafts:
I wore this tee with a casual look, I started wearing this jacket again when I tried cuffing the sleeves, and these shoes were an important back-to-school purchase.

Composition:
white and yellow striped tee (Gap)
navy blue jacket (Gap Outlet)
pewter toned chain necklace (H&M)
light gray trousers (Express)
yellow buckled slice wedges (Nine West)

Usage:
You guys, I'm having a pants problem.  I'm having fun experimenting with skirts for work and trying out new casual ensembles, but I can't get myself interested in wearing my trousers.  This seems stupid because I really love my collection of Express Editor pants.

For this pants look, I tried to gain inspiration from a few looks I like otherwise.  I like yellow paired with light gray and yellow paired with navy, so I tried to incorporate both of those combinations here.  I put on the chain necklace to try to draw some of the gray upward and keep the tee from reading as too casual.  I did like how the yellow top helped the yellow shoes stand out, and when my vintage copy of Katherine Anne Porter's Ship of Fools arrived on the same day, in the same color palette, I knew it had to make it into the photo.  Overall, though, this outfit still left me feeling a little "meh."

A friend of mine did tell me I "look so cute!" in this ensemble, though.  So I'm wondering-- does this outfit look as average to you as it felt for me?  Or do I need to figure out a way to banish my pants prejudice so I can properly appreciate cute, pants-anchored looks?  Is my love for my skinny jeans unfairly pitting me against my old straight leg trousers?  Help!

Prompts:

• How are you wearing pants this fall?  Do you have any theories about how to make looks that include pants feel more exciting?
• I wonder if part of the problem might be that most of the ladies whose blogs I read also favor skirts/dresses over pants.  Have you seen any pants looks lately that I could use for inspiration?  Please share links!

Downplaying (the blogging) and Updating (the clothing)?

Draft:

Earlier Drafts:
I wore a summer variation of this outfit here.

Composition:
grey button-down shirt (Gap)
black pants (Gap)
fedora (Target)
black belt (ShopMamie)
nude suede heels (Seychelles)

Usage:
On Tuesday I mentioned that a last-minute interview awaited me after my return from Texas, and I had every intention of posting about the outfit I wore to it today.  Academichic has hosted a fabulous interview attire round-up this week -- what better time to join the conversation?  However, the current state of the job market and my tenuous personal prospects have me paranoid about detailing an interview for which I'm still awaiting a response.  Is that irrational?  It might be.  My fear of being discovered by a potential employer on the blogosphere is likely unfounded.  Still, mind if I wait 'til next week to share?

Relatedly, do your employers or superiors or even students read your blogs or know you keep them?  Does that knowledge affect your professional relationships?  If so, how?  How do you address questions about blogging in work environments?

In the meantime, I'll share an outfit that has become my transitional fall-back during the unpredictable early autumn chill.  I built a version of this ensemble in August, when sleeveless tops were still wearable and fedoras felt smooth in a "Summertime and the livin's easy" sort of way.  The fedora has followed me into fall because I'm growing out my hair, and the current awkward length of my locks necessitates a hat.  (The in-between stage of growing hair is a real drag, isn't it?  But I'm certain there's a useful life-lesson metaphor to it.  Something about having to endure awkward phases while achieving one's goals.  Hm.)  In the coming months I plan to break out my cloche hats and knitted beanies, but I'm in no hurry.  Winter will require me to wear hats from December to March, after all, so I'll eat my fill of them eventually.  Have you adapted any summertime outfits for autumn?

Happy Weekending!

Prompts:

• Do your colleagues, students, or employers know about or read your blogs?  How do you address questions about blogging in work environments?
• I already asked this question, but I'll restate it here: have you updated any favorite summertime outfits for fall?

Weekend Wear?

Draft:

Earlier Drafts:
I last wore this ruffled blouse with a pencil skirt.
I paired this purple cardi with a neon shirtdress.
I really should wear these cargo pants with something other than this top.
I count these nude flats among my wardrobe workhorses.

Composition:
ruffled blouse (thrifted)
purple cardigan (Martin & Osa)
belt (Ann Taylor)
cargo pants (Target)
nude flats (Jessica Simpson)
red lipstick (Maybelline Color Sensational in "Are You Red-dy")

Usage:
My attempts to dress less, erm, sloppily on days off have resulted in overcompensation, I'm afraid.  I wore this get-up over the weekend to grab pizza with my husband and a friend, but both of them teased me for being "too dressed up" for a Friday night.  Those rascals.  However, since they're both clothing-conscious themselves, I've given their critique some thought.

Maybe it's the shirt's ruffles, or maybe it's the layered cardigan, or the skinny belt, or the fact that I'm not in jeans, but I can see why this ensemble would read as too stuffy for a pizza-and-wine type of evening.  In my pursuit of balance between the casual and the professional, then, I'm wondering about your typical weekend wear.

Tell me, s'il vous plait ... 

Prompts:

• What do you normally wear on weekends, or in any casual/non-professional setting?  Do your dressing habits shift dramatically, or do you maintain continuity between your "off work" self and your workplace self?  (Asking this question reminds me of my dad, who, upon returning home from workdays, announces routinely that he's weary of wearing his professional "costume.")
•  Do you associate specific garments with weekends?  What are they, and why do these read "off work" to you?
• Would you have worn my outfit, or a version of it, on a weekend?  Would you have worn it to work?  What's the ideal context for such a get-up?
• Unrelatedly, but still on my brain: does the juxtaposition of the cargo pants with the ruffled blouse make the outfit more or less appealing to you? 

Audrey Might've Worn a Fedora

Draft:Earlier Drafts:
This strapless top's silhouette is surprisingly versatile.
These heels "go" with e-v-e-r-y-t-h-i-n-g.  But I've said that already.

Composition: 
fedora (Target)
black strapless top (ShopMamie)
multi-chain necklace (Talbots)
black Audrey pants (Gap)
nude suede heels (Seychelles via Piperlime)

Usage: 
This week Katie reassessed her closet and determined that her attraction to floral prints may indicate that she's a more "ladylike" dresser than she realized.  Liz noted that Katie had previously described her style as "easy elegance," and asked if Katie considered the terms "ladylike" and "elegant" synonymous.  Their exchange was helpful to my own thinking because, although this week I've grappled with the definition of "ladylike" and danced around the idea of elegance, I hadn't speculated about the ways in which the two meanings may intersect. 

Months ago, noted photographer and illustrator Garance Dore published a post entitled "What is Elegance?" on her personal fashion blog.  I like Dore's definition of this frequently-used, often-abused term, for it emphasizes conduct over clothes and decorum over dressing habits.  It encourages me in a You're-Never-Fully-Dressed-Without-a-Smile sort of way.  People can be elegant with or without the "right" style savvy, she suggests.

Rex Harrison's character Henry Higgins learns a similar lesson in the 1964 film My Fair Lady.  When his efforts to refine Audrey Hepburn's street-smart protagonist Eliza backfire, Henry realizes that Eliza's je ne sais quoi renders her more elegant than any of his rules of form.  She is dignified despite, not because of, his insistence on social and sartorial graces.

I mention this film because, not-so-ironically, it derives from the same Mad Men era we've been discussing this week.  Consistent with the social undercurrents of 50s/60s fashion, the movie's very title challenges the notion of femininity.  For starters, it's possessive, suggesting that the fair female in question might be owned by, or at least indebted to, her teacher/admirer.  Therefore, it also implicitly asks, when exactly does Eliza become a "lady," before or after Henry instructs her in navigating high society?

I think the meanings of "ladylikeness" and "elegance" might intersect here, at the concept of social shrewdness.  Dore's characterization certainly esteems "politeness," "attention to others," "poise," and "a sense of culture" as primary qualifiers of elegance.  And media evidence from Audrey's classic films to Frank Sinatra's 1950s tune "Luck Be a Lady" demonstrate that, for women coming of age in these pivotal decades, "lady" likely had similar connotations.

If this is true, are these terms simply equivalent to "ethical conscience" or "social awareness" or something like it?  Do they mean being kind or even genteel enough to get along in society?  What implications would accepting these definitions have today?  As I mentioned in an earlier post, I'm interested in sorting through these ideas because so far next season's fashion marketing has depended on them.

Even if we don't reach any conclusions on the terms, I'm glad our posts this week have sparked such lively conversations about the development of feminism and the resurgence of vintage fashion.  We're energized by your insightful comments, comments like Mackenzie's: 

"I'm with you that 'ladylike' is a difficult word to use in grappling with your clothing ... But the silhouettes themselves? Rock, rock on. Not wearing something because of its previous connotations of bondage is just as much a form of bondage ... Let's all wear what makes us happy and only call it 'ladylike' if we are ready to be called 'ladies' in whatever we wear."

Prompted by Mackenzie's suggestion to wear what makes me happy, I've compiled an outfit inspired by Audrey Hepburn's monochrome look in the 1957 film Funny Face.  I've thrown in a fedora to gesture at Sinatra, too.  The overall ensemble is my nod to his confident swagger and Audrey's gamine boldness.  How does it resonate with you?

Thanks for the great discussions this week!  Have a happy weekend.

Prompts:

• How do you define "elegance"?  "Ladylikeness"?  Do you think they're synonymous?
• Why do you think Audrey Hepburn is regarded as a fashion icon?  What does she represent to you?
• How do you think our style mindsets are like or unlike those of the 50s/60s?
• More practically, this one-size-fits-most fedora business is not working for me.  Is this hat supposed to cover my ears?  How are you guys wearing them?

A Method to the "Mad Men" Madness

Draft:

Earlier Drafts:
These earrings prompted me to reconsider the size and quantity of my accessories.
These woven sandals acted as casual alternatives to my flip-flops.

Composition:
navy and taupe patterned top (Levi's)
taupe striped wide-leg pants (Old Navy)
woven sandals (Target)
pewter earrings (Fossil)

Usage:
One way to adopt a trend is to practice its principles.  My budget might prevent me from investing in a trend's specific styles, but I'm learning to participate in it by instead embracing its methods.

Here's what I mean.

This week our posts have referenced the 50s/60s-era throwback styles which seem to be gaining momentum as the fall fashion season nears.  We've mentioned Mad Men several times in relation to this sub-movement because the award-winning television series is largely responsible for the vintage resurgence.  The ensembles featured on the show are indeed jealousy-inducing, but because contemporary iterations are currently out of my price range, I haven't purchased any.  Thankfully, while dreaming up ways to participate in the looks the show has revived and still maintain my financial integrity, I stumbled upon this clip on the Mad Men website.

(Under the "Videos" tab, click on "Mad Style."  Then select "Mad About Style: Dresses.")

In it, Janie Bryant, the show's costume designer, and Simon Kneen, Executive V.P. and Creative Director for Banana Republic, chat about the semiotics of the female cast members' frocks.  The clip offers a peek into the construction of the Mad Men sartorial vibe, and it also gives insight into the more general early-mod revival.  Of particular interest, however, is that two minutes into the blurb, Kneen reminds us of a post-WWII-era principle of dressing:

"In those days, they would talk about 'building a wardrobe.'  It was going to do you probably for five or six years.  People would alter their dresses.  They would change their hemlines.  Fashion is a little bit disposable today, and people are looking for newness."

Kneen's observation is a poignant one, as it reminds us that women did not always begin anew with trend-conscious wardrobes every season.  Instead, they modified their old wardrobes to suit.  The takeaway for me?  I need not always buy new - that is, buy more - in order to look new.  Sara at Orchids in Buttonholes elaborated on this topic yesterday in a post which refuted the "dress better by buying more" sentiment by advocating what I think is a 50s/60s-era spirit of thrift.  Her post convinced me that my budget - and my creativity - would benefit if I imagined my garments as having longevity.

Truthfully, I'm slow on the up-take with this one, because other blogfriends have been testing the recycled wardrobe waters for months.  Tania at What Would a Nerd Wear just completed a "30 for 30" month-long challenge, in which she simultaneously declared a shopping hiatus and challenged herself to repurpose 30 pieces she already owned.  Liz began a similar challenge yesterday; she has limited herself to two back-to-school purchases, and she's maximizing their wearability by styling them in more ways than one.

As for me, today I'm reviving a very old pair of trousers by styling them into a new look.  I normally wear these striped pants to work with wedge heels and a button-down, but pairing them with flat sandals and a loose-fitting top gives them a more relaxed feel.  What's more, repurposing them will save me from purchasing some out-of-my-price-range versions currently featured as "New Fall Arrivals" in my favorite shops.  A bit of economy goes a long way.

One caveat: it's possible that following this Mad Men-era principle might pose a Catch-22 situation.  Common advice often dictates that a sustaining wardrobe must be an expensive one.  But "investing" isn't always a euphemism for "splurging."  At least, I don't think it has to be.  Sometimes "investing" can simply mean "maximizing" or "getting creative with what we have."  After all, I'm always investing something in my clothing, whether it's money or creativity.  For now, the latter suits my financial situation best.  So, in this way, adhering to a tenet inspired by the current trend allows me to participate in one of its ideologies, even if I can't afford its clothes.

Prompts:

• Does this principle resonate with you?  How are you practicing it personally, and how have you observed others participating in it?
• Can you think of other fashion trends that have sparked worthwhile dressing principles?  I have a hunch that my husband's obsession with thrift stores originated with some haute couture movement in which he takes little interest, for example.
• Besides restyling, in what other ways would you suggest I maximize my wardrobe?  I've considered taking a few items, like this skirt, to a seamstress for some dramatic alterations.  I know others of you are more daring in your sewing projects.  Please tell us about them!

Summer Black-Out Challenge

Drafts:

Composition:
Tuesday:                                                                  
purple satin-ish dress and belt (sister's closet)           
pink button-down (NY&Co)                                     
brown wedges (Old Navy)                                       
Wednesday:                                                                                  
antiqued gold earrings (Charlotte Russe)
green striped and yellow tanks (sister's closet)   
khakis (Old Navy)                                          
antiqued gold bangle (Ann Taylor Outlet)
white wedges (Mia via Sears.com)
 Thursday:                                                                
turquoise beaded necklace (Kohl's)                           
white button-down (NY&Co)                                   
stone belt (NY&Co)                                                  
cropped stone trousers (NY&Co)                              
rose gold flowered sandals (Old Navy)                    
Friday:
red jacket (sister's closet)
white cami (Old Navy)
brown belt (Kohl's)
cropped jeans (Gap)
red flats (gift from my mom)


Usage:
The alternative title for this post should be "Shopping My Sister's Closet."  My sister is storing her "nice" clothes at my house while she works at a summer camp for the next few months, which of course means I'm wearing them!  Best idea ever!  As I mentioned in my last post, I accepted Sal at Already Pretty's black-out challenge!  At first, I thought this would be easy, especially since I had access to so many extra items of clothing.  Over the course of the week, though, I realized I'm much more dependent on black apparel, accessories, and shoes than I had realized.

On Tuesday, I wanted to embrace bright colors to get away from Monday's neutral experiment.  This purple dress has the same cut as this one I love, and I originally tried wearing the button-down underneath the dress, like a jumper.  It didn't look right, though, so I put the button-down over the top and liked how the wide belt created a color blocking look.  In this outfit I felt bright and cheerful, and I noticed that being in a colored skirt gave me a little more pep in my step than my usual black pencil skirt does.

On Wednesday, I thought I'd try this almost-breton-stripe tank top I discovered in my sister's drawer.  (I love this look, which Anne-Marie styles here, but I haven't been able to find a breton tank top I like.)  I was feeling a little adventurous for my shopping excursion, I didn't have to go to work, and I was excited about my new white wedges, so I thought I'd try this cuffed khaki look I have liked on other women.  Verdict?  I still like this look on other women.  On me, I think it looks stupid.  Plus, I couldn't help feeling like the early 90s childhood version of myself who lived in pegged-legged jeans.  I had intended to use the yellow tank underneath to give the outfit a little more color, and the gold accessories to make it look more polished, but I still think the outfit looks too blah.  (If I cut out the jeans from Friday's look, and place them over the khakis paper-doll style, I think I'd have a MUCH better outfit!)

On Thursday, I thought about how one of my cold weather fall-backs is a combination of black and gray with a pop of color.  I decided that the summer alternative to this ensemble would be a combination of light khaki/stone items and white, and I added my turquoise necklace to serve as the pop of color.  I'm not sure that worked (it's mostly obscured by my hair), but I still liked this opposite take on my winter neutrals.  I felt refreshed and crisp in this ensemble.  Katie and I also agreed that the belt brought out the safari-like look of the button down, which has two chest pockets.  I can definitely see myself trying out different iterations of this color(less) scheme this summer.

On Friday, I was beside myself!  I couldn't think of anything to wear that wasn't black!  I wondered why I had ever accepted this challenge!  I wanted to get back in bed!  So I went back to my sister's closet and discovered this great red jacket/top.  It has some fantastic structural details that I'm not sure this picture really captures.  I know how I would have styled this any other time: with a black belt and black cami.  (I love red and black together.)  I was surprised how much more "summery" this outfit felt when I put on a white cami and brown belt instead.  I'm afraid the shoes might be taking me into matchy-matchy territory, but since they don't match the belt, I still felt safe in coordinated but not over-coordinated territory.

Thanks for this challenge, Sally!  It helped me realize that part of my problem with styling "summer appropriate" looks is that black is my default neutral.  Staying away from black helped me realize that I can use the clothes I already have to put together looks that feel right for warmer weather, whereas before I would have said that I have very few clothes that I like to wear during the summer.  I thought I would run out of steam when it came to avoiding black, but the looks from Thursday and Friday are actually my favorites, which suggests I was learning to think about my clothes even more creatively as the week went on.

Prompts:

• Has writing or reading "style" blogs helped you to identify blind spots in your styling tendencies?  Which ones?
• Have you ever tried "trendy" styling techniques like the cuffed khakis?  Can you execute them or do you fail miserably, like I did?
• Did anyone notice that I'm not wearing any prints? (Unless you count stripes, which I don't.) What's up with that?  Looks like I might have my next styling challenge.

Quick Change: Black, White, and Brown

Draft:

Earlier Drafts:
I wore these boots with a wrap dress.

Composition:
black draped tube top (Shopmamie.com)
turquoise bib necklace (Shopmamie.com)
white chiffon skirt (thrifted)
white capris (Gap)
brown boots (Steve Madden via Marshalls)
brown wedge sandals (Nolan by Faded Glory via Macy's)

Usage:
Sorry I'm running late today, blogworld!  I'm at home writing my final essay for the semester, and I'm in need of socialization, even if it is merely virtual.  I haven't blow-dried my hair (yes, it's naturally curly!), I'm not wearing makeup, and I only just stopped to analyze this morning's dressing choices. 'phew'  So, here it goes:

I recently purchased this black tube top - one can never have enough black pieces, says I - and I've had fun experimenting with its silhouette.  Pants and shorts of any cut, like these white capris, seem to pair well with it.  By slimming the legs, they emphasize volume on top.  However, coupling the tube top with skirts requires a bit more creativity.  Some of my skirts are too short and don't make enough of a statement under the top's fabric; others, especially the A-line skirts, look too full under it.  So imagine my delight when I rediscovered this thrifted number hidden in the recesses of my clothes rack.  Several years ago, I located this white skirt while bargain-hunting with my mom.  I barely glanced over it, but she insisted that I purchase it.  Until today, I had yet to locate what seemed like the best top for it, so year after year this forlorn skirt ended up in my "To Donate?" pile.  Year after year I saved it.  Now I'm so glad I did - the tube top has redeemed the skirt, and I've created a fun new outfit from two hard-to-wear pieces.

In addition to experimenting with silhouettes, today's outfit also toys with a hotly debated fashion "rule:" Don't wear brown with black.  Katie questioned the validity of these so-called tried and true style codes several weeks ago when she challenged the No White Before Memorial Day standard.  You weighed in, concluding that rules were meant to be broken.  With this outfit, I echo you with a hearty "Here, here!"  I think women should pair brown - especially brown leather things and khaki-ish things - with black frequently and without reservation.

Here's a caveat, though: my husband, upon seeing my outfit, asked, "Does this mean I can wear brown with black too?"  What do you think?  If the brown-and-black palette works for women, does it also work for men when, say, they want to pair brown dress shoes with black suits?  I'm inclined to think that the black-and-brown palette looks sophisticated as long as it maintains enough contrast between the two shades.  For instance, these camel colored boots are not only separated from my black tube top by a neutral piece, but they also differ significantly in color from the black top.  My husband - and other guys -might achieve a similar look by executing palettes like this or this.  The point, I said, is to look intentional, not colorblind.  I could be wrong, though - do you think wearing black-and-brown well is a matter of contrast?

Prompts:

• Which fashion rules do you love to break?
• How do you wear black and brown together?  Do you think wearing them well amounts to maintaining contrast between them?
• Have you ever surprised yourself by creating favorite outfits from neglected or hard-to-wear pieces?  Tell us about 'em!