Comfort

Draft:

Earlier Drafts:
Liz and I both own these shoes, though in different colors.

Composition:
blue cashmere sweater (Saks, on sale)
jeans (Marshalls)
pumpkin Mary Janes (Seychelles)
glasses (Jill Stuart)

Usage:
Naturally, since we're in the busiest, most inconvenient part of the semester, I'm sick.  Despite fortifying myself with more vitamin C than even the scurviest sailor needs, I'm still ill, though admittedly not as bad as it could be - with the exception of yesterday, spent sleeping, dosing myself with orange juice, tea, and Sudafed, and then sleeping again, I've been functional, just uncomfortable.  Today, I had to pull myself out of yesterday's lovely ensemble of pjs to help moderate a professionalization session related to my big department service obligation this year.  I had a cute swingy skirt look put together in my head - I'm with E. over at academichic on loving skirts with movement - but my body physically rejected this look.  It wanted back in the pjs.  So I had to put together something more comfortable, but still acceptably professional.

Since it's a Friday afternoon, dark wash skinnies would do fine for pants.  These jeans are pretty stretchy, and thus are super comfortable.  I wanted heels to up the professional quotient, so I put on these pumpkin (or tan?) Mary Janes, which, despite being new, have quickly risen to the top of my comfy heels list.  For a top, I considered a classic button down or another top with more structure.  Again, though, I wanted something comfortable (Note: I realize that I keep repeating that word in this post, but really, "comfort" was my focus).  I pulled out this lightweight cashmere sweater, which is so soft it's more like a marshmellow hug than a top (that sentence proves that I'm not feeling well).  I completely agree with Sal at Already Pretty that cashmere is fabulous for winter, and I will definitely be seeking out more of it.  Obviously, on a graduate student budget, this fabric is not necessarily the most economical purchase, but as Sal points out, there are different price points for it, and I think that's cashmere sweaters (and scarves) are great investment pieces. 

Despite not feeling 100%, I still need to get in gear for the end of term, and this outfit successfully tricked my body into thinking it was still in bed, watching the occasional episode of "Arrested Development" between naps, while allowing me to be productive.

Prompts:

• What do you wear when you're not feeling well but still have professional obligations?
• Any tips for getting better/preventing illness?  I've heard about eating raw garlic, but haven't tried it.  Can anyone weigh in on it or offer some other advice?

Change and Predictability

Draft:

Composition:
black wool sweater (Loft)
grey trousers (Gap)
black patent heels (Nine West)
stud earrings, my latest favorites (Juicy Couture)
chain and fabric necklace (Icing)  -- Yes, it's shedding on my collar! It's definitively not high quality.
nail color (OPI "You Don't Know Jacques!")

Usage:
In response to Liz's complimentary post about my supposed ability to "manage uncertainty," today I'm sharing one of my most predictable ensembles.  Why?  Because, now that I'm spending more time in the classroom, I'm learning why experienced teachers like Liz prefer the manageable expectations of simple, go-to outfits.  For the first time, I get it.  Sartorial predictability is comforting when daily dynamics entail enough fluctuating factors.

Wearing this uncomplicated look took my mind off the clothes, allowing me to focus on instructing.  It didn't require the perpetual readjusting of layered garments, and it didn't necessitate the tugging on shorter hemlines or lower necklines.  The minimal jewelry and monochrome palette were less distracting for both me and, hopefully, for my students.  Which makes me think: there might be ways in which sartorial choices can detract from our abilities.  (Ah ha! An epiphany!  Don't laugh, I'm slow on the uptake.)  Sartorial boldness doesn't always allow for professional and intellectual boldness, that is.

Normally I subscribe to the opposite view.  I think, if I challenge myself intellectually, pushing myself to read new literature and entertain bold ideas, then why not also challenge myself sartorially?  Especially since, as this blog and your own attest, we consider issues of aesthetics an important component of education.  In the world of the mind, we like trying on new thoughts, and we welcome encounters with the uncomfortable.  Evolutions of knowledge and opinion are generally good things; they often indicate growth.  So it follows that we would consider personal style evolutions good things too; they can also indicate growth.

Cutting and dyeing my hair or pairing seemingly incongruous garments -- both enable experimentation with new articulations of myself.  Even if I don't adhere to them permanently or even long-term (as in the case of my cinnamon hair hue, which is merely a demi-permanent dye, I should tell you), at least I can test the waters.  How did Aristotle put it?  "It is the mark of an educated mind to be able to entertain a thought without accepting it."  Perhaps it's the same with sartorial choices: dabbling in a hairstyle, or a print, or a bright color, without necessarily permanently accepting it into our self-concepts, is productive if only because the courageous choice allows us to think anew about the social spaces we occupy.  It's a worthwhile initiative, I'd say, to challenge ourselves aesthetically.  That's why I quite like blogging alongside you guys, and why I welcome the occasional dramatic hair transformation.

For now, as long as my substitute teaching endeavor lasts, I'll be entertaining choices on Liz's side of the style fence.  I have quite a bit to learn about, as she says, "preparing, preparing, anticipating, and preparing."  For me, resisting spontaneity will be a grand -- and worthwhile -- sartorial adventure.

Prompts:

•  How do you "prepare, prepare, anticipate, and prepare" sartorially?  I have no idea what I'm doing, so I'd welcome your strategies.  I've begun laying out ensembles the night before work -- does this count?
•   Liz asked this question yesterday, and I think it's a good one: how do you get yourself out of a rut?  How do you challenge your patterns of style?